《银河铁道之夜》1985版本观后感

博主： Aoody743
发布时间：2025 年 11 月 08 日
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怎么说呢，看完这个电影，我真的有非常深的感触。
首先想说一下那两只猫——Campanella 和 Giovanni。
在看这个故事之前，我读过原著，那两个人其实都是真实存在的人，只是电影把他们改成了猫。

### 一、触动我的部分

我想先说一下让我感触最深的部分。
这些内容是其他作品里很少见的，也许只有在日本才能看到更多这种类型的作品。
你看美国、欧美的电影，它们的解读通常比较浅；而日本电影常常有更深的解读，你自己想一想之后，会非常感动。

我非常喜欢 Campanella 和 Giovanni 之间的友谊。
整个电影几乎所有情节，从 Giovanni 踏上那辆列车开始，Campanella 就一直陪伴着他。
他们的友谊真的让我非常感动。
也许是因为我从来没有一个关系这么好的朋友，能那样一起坐车，而且可能以后也不会再出现了。
这是让我最感动的第一点：他们两个人非常好的友谊。
然后最后，他们两个还是分开了。

### 二、关于离别

我第二个想说的是“离别”。
电影中有很多离别的情景：在火车上，很多人上车、下车都在一瞬间，就消失了。
有些比较重要的角色，会有一个离别的场面；他们互相看着对方。还有朋友之间，他们两个肩搭着肩往窗外看，那一幕让我很有共鸣，可能是因为我自己也很想有这样一个朋友。

再说离别：泰坦尼克号上的那对兄妹，还有那个抓鸟的人。
他们的离别不是正式道别，而是无声地走过去；而当 **Campanella 要下车时，他阻止了 Giovanni 去追他**。
整段故事看起来像是 Giovanni 自己的一个梦，但又有很多真实的地方。比如他醒来之后，Campanella 也死了。
在他的故事里有很多映射：泰坦尼克号的人互相凝望一眼，就此下车，提示我们人生中的离别常常非常突然。
而当最好的朋友离开你时，Campanella 阻止 Giovanni 去找他，应该就是 Giovanni（主人公）内心其实无法接受，所以“天牌了”（Campanella）在阻止他去追。

还有一个有趣的情节：他们和泰坦尼克号那对兄妹坐在车上，时不时互相看着对方的眼睛。
他们想表达什么，我目前还没法猜测。可能以后当我也经历了类似的事情，就可以体会到；现在我还不能很好地共情他们。互相看对方的眼睛，那种伤感究竟是什么意思？我可能还需要再体会。

电影主要告诉我们：必须接受一些离别；在接受的时候，找一个寄托的东西。
比如电影里那些星星，把它当作寄托，让它在天上作为星星一直存在就行了。

### 三、关于快乐与价值

最后一点，也是电影主要想表达的：怎么样才能活得快乐。
最开始是那个捕鸟的人，他的工作就是捕鸟，他在星星上也尝试了一次。
他说，能够尽到自己的工作，在最后的时刻还可以实现自己的价值，包括让其他人尝一下这些鸟之类的——他为此感到快乐。

之后是泰坦尼克号的老师。
他拼尽全力，虽然没能成功，但去帮助他的两个学生。
他帮助那两个学生，可能是尽可能帮他们逃命，或者说让他们死在一起离开这个世界；其实对学生也是一种“快乐”（解脱），对老师也是实现自己价值的快乐。

再到泰坦尼克号那个姐姐讲到的女孩，她说天蝎座的蝎子：
它本来可以被人吃掉，让臭鼬多活一天，但后来它自己掉进了井里；它在死之前没有帮助过任何人。
所以作者的解读是：**你对他人能够实现什么价值，你就能怎么活得快乐**——这是非常重要的一点。

最后，Campanella 在宇宙的边缘救了一个人，自己被水冲走了；他应该也实现了自己的快乐。

整部电影像一场梦，给了那只蓝色的猫——也就是那个少年 Giovanni——一个答案：
最重要的是他懂得了怎么变得快乐、怎么快乐地活着。
因为他一开始在学校被霸凌，那是不快乐的；现在他应该是懂得了怎么样才能快乐地活着。

### 四、理想主义与现实

关于“活着，如何快乐地活着？”
我能理解作者的故事非常理想主义。看这个电影之前我也看了一些幕后题材：作者为了这个稿子花了 10 年时间。虽然电影跟原文不太一样，但我大概知道他的思想。

很多人觉得，你要实现什么，或者把自己变成什么样，才算活得快乐。
我看到一条非常有意思的评论，和这个电影的精神非常像：

> 其实人到死之前才会觉得，我刚才说的那些东西都没什么用；
> 但你错过的每一个晚霞、错过的人，这些错过的回忆才是真正最珍贵的财产。

我今天也得出了一些类似的观点：
社会的阶层非常难转变；你再怎么样，也抵挡不过那种操控资本的家族。
不管怎么样，他们可以从你的获利中抽走一部分，什么都不用干也能过上好生活。
所以说，改变是可以的，但**想要单纯以为他人这种利他主义来活得快乐，其实是比较片面、也理想化的**。
虽然如此，它仍然会让我们思考：那些身外之物到底值不值得？你死了之后，它们还值不值得？
它会让我们更倾向于思考：在这几十年的人生里，回忆、体验、感受才是最珍贵的。

就这样，尽情地快乐地活着。
为他人带来好处是一种方式，因为那算是实现自己的价值。
在作者这种理想化的环境中，实现自己的价值，就是让他人变得更好。
我们现在讲到我自己的想法：去创业，用创业来实现自己的价值、改变世界，让世界变得更好；
其实最终导向的还是让他人变得更好。

**所以，就像作者所说，他的表达一听起来像那种“最片面的语言、最理想主义化”的话，但你仔细想一想之后，会发现它其实是最终极、也最全面的判断。**

最后，希望我可以像里面的 Giovanni 一样，从中收获一些“活着的指南”——
说到底，怎么样才是真的活得快乐？
我在其他视频平台上看这部电影，很多人在看时一直在哭；但我是个情感比较克制的人，我一直在感受，没有怎么哭出来。
有些人说他 30 年前就看了这部电影，至今还记得里面的情节，把这部电影作为他活了几十年的一个指南。
那就这样吧。最后希望大家都可以活得快乐。
**Live a happy life.**

---

### P.S.

还有一个细节我之前没说：作者在这个故事里夹杂了非常多的暗示。
比如那只红色的猫，他拿了普通的车票——这已经暗示他已经死了，是灵魂登上了那辆车。
除此之外还有很多类似的细节我看到了，但没有在这上面写下来；我写的都是比较核心的意象。

---

## English Translation

How should I put it? After watching this film, I was deeply moved.
First, about the two cats—Campanella and Giovanni.
Before watching, I had read the original; the two were real people, and the film turned them into cats.

### 1. What Moved Me

These parts are rarely seen in other works; perhaps only in Japan can you find more of this kind.
Western films often feel shallow in interpretation, whereas Japanese films invite deeper readings that move you after reflection.

I love the friendship between Campanella and Giovanni.
From the moment Giovanni boarded the train, Campanella stayed with him.
Their friendship touched me deeply.
Maybe I’ve never had such a close friend to share a ride like that—and perhaps I never will.
That is the first reason I’m moved: their truly good friendship.
In the end, however, they still part ways.

### 2. On Farewell

There are many scenes of farewell.
On the train, many people get on and off in an instant and then vanish.
Some important characters have a parting scene: they gaze at each other, or two friends rest their shoulders together and look out the window—that’s the kind of friend I long for.

As for the Titanic siblings and the bird catcher, their farewells are silent—just one look and they get off.
This suggests that farewells in life are often sudden.
And when **Campanella was about to get off, he stopped Giovanni from chasing him**.
The whole story feels like Giovanni’s dream, yet many parts are real—for example, when he wakes, Campanella has truly died.
There are many reflections like this.
Campanella stopping Giovanni likely means the protagonist, Giovanni, cannot accept the separation; hence Campanella stops him from pursuing.

There’s another interesting bit: sitting with the Titanic siblings, they sometimes look into each other’s eyes.
I can’t yet guess what they wanted to express. Maybe after I experience something similar, I’ll understand; right now I can’t fully empathize. What does that sadness in their gaze mean? I need more time to feel it.

The film mainly tells us we must accept farewells, and when we do, find something to entrust our feelings to—like the stars in the film.
Treat them as a place of belonging, existing in the sky.

### 3. On Happiness and Value

Then, how to live happily—this is the film’s main message.
First is the bird catcher. His job is catching birds; he even tries it once on the stars.
He says that fulfilling his work and realizing his value at the very end—letting others taste the birds, for example—makes him happy.

Then the teacher on the Titanic.
He tried his best, and though he failed, he still helped his two students—either trying to save them or letting them die together and leave this world. For the students it was a kind of happiness (relief), and for the teacher it was happiness through fulfilling his value.

Then the sister’s story about the scorpion:
It could have been eaten to let the skunk live one more day, but it fell into a well and, before dying, helped no one.
So the author’s reading is: **the value you bring to others determines how happily you can live**—a very important point.

Finally, at the edge of the universe, Campanella saves someone and is swept away; he too realizes his happiness.

The whole film is like a dream given to the blue cat—Giovanni, the boy.
Most importantly, he learns how to become happy and how to live happily.
He was bullied at school and unhappy; now he understands how to live happily.

### 4. Idealism and Reality

As for “living—how to live happily”:
I understand the author’s story is very idealistic. Before watching, I read some behind-the-scenes notes: the author spent ten years revising it.
Though the film differs from the original text, I roughly grasp his thought.

Many people think you must achieve something or become a certain kind of person to live happily.
I saw a comment very close to the film’s spirit:

> Before death we realize those pursuits are useless;
> what’s truly precious are the sunsets we missed, the people we missed, and the memories we missed.

I also reached similar views today:
Social classes are very hard to change; no matter what you do, those families who control capital can still take a cut from your gains and live well doing nothing.
So change is possible, but **to seek happiness purely through altruism for others is somewhat one-sided and also idealistic**.
Even so, it makes us think: are those external things really worth it? After you die, are they still worth it?
It pushes us to consider that, in these decades of life, memories, experiences, and feelings are the most precious.

So: live fully and happily.
Doing good for others is one way, because it counts as realizing your own value.
In the author’s idealized setting, realizing your value is to make others better.
As for my own thought: entrepreneurship can be a way to realize one’s value and make the world better; ultimately it still aims to make others better.

**Therefore, as the author says—although his words at first sound like the most simplistic and the most idealistic language—after thinking it through, you realize it is actually the ultimate and most comprehensive judgment.**

Finally, I hope to be like Giovanni and gain some guide to living—
what, in the end, is true happiness?
When I watched the film (on another video platform), some viewers cried throughout; I’m more emotionally restrained, I kept feeling but didn’t really cry.
Some said they watched it 30 years ago and still remember the scenes, taking it as a guide for decades of life.
That’s it. I hope everyone can live happily.
**Live a happy life.**

---

### P.S.

One more detail I hadn’t mentioned: the author inserts many hints.
For example, the red cat holding an ordinary ticket already suggests he is dead—his soul boarded the train.
There are many other such details I noticed but didn’t write down; what I wrote are the core images.

***

最后修改：2025 年 11 月 08 日

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《银河铁道之夜》1985版本观后感

Aoody743 • 2025 年 11 月 08 日

### 一、触动我的部分

### 二、关于离别

### 三、关于快乐与价值

最后，Campanella 在宇宙的边缘救了一个人，自己被水冲走了；他应该也实现了自己的快乐。

### 四、理想主义与现实

很多人觉得，你要实现什么，或者把自己变成什么样，才算活得快乐。
我看到一条非常有意思的评论，和这个电影的精神非常像：

> 其实人到死之前才会觉得，我刚才说的那些东西都没什么用；
> 但你错过的每一个晚霞、错过的人，这些错过的回忆才是真正最珍贵的财产。

---

### P.S.

---

## English Translation

### 1. What Moved Me

### 2. On Farewell

The film mainly tells us we must accept farewells, and when we do, find something to entrust our feelings to—like the stars in the film.
Treat them as a place of belonging, existing in the sky.

### 3. On Happiness and Value

Finally, at the edge of the universe, Campanella saves someone and is swept away; he too realizes his happiness.

### 4. Idealism and Reality

Many people think you must achieve something or become a certain kind of person to live happily.
I saw a comment very close to the film’s spirit:

> Before death we realize those pursuits are useless;
> what’s truly precious are the sunsets we missed, the people we missed, and the memories we missed.

---

### P.S.

***

《银河铁道之夜》1985版本观后感

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《银河铁道之夜》1985版本观后感

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